Search: Starring Antonio Banderas

The locations are breathtaking, the longships built to scale, the costumes handmade, even chainmail is constructed by the original method.

The audience should be warned that the film boasts a cliche level that could also be hazardous to health.

Halina Reijn's film is a rewarding piece of work, in no small part because of how it challenges its subjects and its audience.

Banderas is convincing in this role but he is the only actor who brings any grace to a movie which is filmed with a dark and obscure filter to match the unredeemingly seedy world it portrays.

Ridiculous doesn’t quite cover it.

You get what you pay for with a little bit of humour to lubricate the violence

Taymor has succeeded in recreating an extraordinary time for an exceptional woman. She does so with love and imagination.

Soderbergh lays the pretension on thick in flashbacks to the Barcelona job that is clearly at the root of her problems, with slo-mo here and black and white there doing nothing to distract from the fact that it has all the substance of a chocolate bar adv

Reynolds has proved he's the king of dry delivery in everything from Deadpool to Pokemon Detective Pikachu but even his comedy Kevlar can't protect him from this script.

Thompson exudes strength from start to finish.

The sexual and gender politics that course through Almodovar's best work are in evidence here but there's a distinct lack of focus, leaving the film a somewhat forced flight of fancy.

There's a difficult place between homage and pastiche, between nostalgia and the new.

The relish with which Tom Cruise delivers even the most awful lines is quite engaging.

Even Banderas' character feels like a cheap knock-off who is not fit to polish the boots of Puss.

Malick and his cinematographer Emmanuel Lubezki, if nothing else, deliver stunningly beautiful vistas and backdrops for his narratives and characters, yet like the characters, there seems to be something empty at its core.

Once the action starts in earnest and the stunt doubles do their thing, the film is entertaining enough, although when Zorro leaps from a high rock onto the roof of a moving train, you do worry about the horse.

On strictly technical grounds, Laberinto De Pasiones is fairly average, but watching it with a cold beer on a warm summer's evening it strikes a chord.

Machete Kills is a jumbled assortment of loosely related scenes whose main theme appears to be “how many different ways can you kill people with a helicopter?”

A balance is struck. Be serious about the swordplay and have fun with the rest.

Rodrigues's trilogy is a visual feast of posturing machismo, during which all sense and sensibility is discarded in favour of slow-motion stunts and death from a thousand angles.

These are easy targets although there’s a lot of enjoyment to be hand in seeing them hit so accurately.

The tone is both bitter and sweet.

Woody Harrelson and Antonio Banderas are terrific and director Ron Shelton's script plays hard ball from the start.

Just a whisker away from being the cat's whiskers.

A real return to form, a fully developed story in its own right.

The pace is frantic, the characters entertaining and the CGI seagulls a squawk

The film is a lot of fun if you don't stop and think.

As the dashing assassin Puss in Boots, Antonio Banderas is perfectly cast, and there is not one moment of his performance which is not worth watching.

All-in-all... it’s merely OK.

The script, like Shrek, is flabby and going to seed.

Almodóvar's trademark narrative divergence is in full effect but he keeps a delicious sense of control over his fabulously grotesque concoction.

At last, a children's film that is fun!

The story is based on truth and it is a tale worth telling.

Uncharted doesn't break new ground, and doesn't retread familiar territory in a fun way. It's diverting enough, but its crosses and double crosses are all pretty well signposted

This is far from vintage Allen, yet it's still a cut above most similar dramatic work.